You think its just a TV show? Think again.
This past November, U.S. Army Brigadier Genera Patrick Finnegan, the dean of the United States Military Academy at West Point, flew to Southern California to meet with the creative team behind “24.” Finnegan, who was accompanied by three of the most experienced military and F.B.I interrogators in the country, arrived on the set as the crew was filming. At first, Finnegan—wearing a immaculate Army uniform, his chest covered in ribbons and medals—aroused confusion: he was taken for an actor and was asked by someone what time his “call” was.In fact, Finnegan and the others had come to voice their concern that the show’s central political premise—that the letter of American law must be sacrificed for the country’s security—was having a toxic effect. In their view, the show promoted unethical and illegal behavior and had adversely affected the training and performance of real American soldiers. “I’d like them to stop,” Finnegan said of the show’s producers. “They should do a show where torture backfires.”
The meeting, which lasted a couple of hours, had been arranged by David Danzig, the Human Rights First official. Several top producers of “24” were present, but Surnow was conspicuously absent. Surnow explained to me, “I just can’t sit in a room that long. I’m too A.D.D.—I can’t sit still.” He told the group that the meeting conflicted with a planned conference call with Roger Ailes, the chairman of the Fox News Channel. (Another participant in the conference call attended the meeting.) Ailes wanted to discuss a project that Surnow has been planning for months: the début, on February 18th, of “The Half Hour News Hour,” a conservative satirical treatment of the week’s news; Surnow sees the show as offering a counterpoint to the liberal slant of “The Daily Show with Jon Stewart.”
Before the meeting, Stuart Herrington, one of the three veteran interrogators, had prepared a list of seventeen effective techniques, none of which were abusive. He and the others described various tactics, such as giving suspects a postcard to send home, thereby learning the name and address of their next of kin. After Howard Gordon, the lead writer, listened to some of Herrington’s suggestions, he slammed his fist on the table and joked, “You’re hired!” He also excitedly asked the West Point delegation if they knew of any effective truth serums.
At other moments, the discussion was more strained. Finnegan told the producers that “24,” by suggesting that the U.S. government perpetrates myriad forms of torture, hurts the country’s image internationally. Finnegan, who is a lawyer, has for a number of years taught a course on the laws of war to West Point seniors—cadets who would soon be commanders in the battlefields of Iraq and Afghanistan. He always tries, he said, to get his students to sort out not just what is legal but what is right. However, it had become increasingly hard to convince some cadets that America had to respect the rule of law and human rights, even when terrorists did not. One reason for the growing resistance, he suggested, was misperceptions spread by “24,” which was exceptionally popular with his students. As he told me, “The kids see it, and say, ‘If torture is wrong, what about “24”?’ ” He continued, “The disturbing thing is that although torture may cause Jack Bauer some angst, it is always the patriotic thing to do.”
Gary Solis, a retired law professor who designed and taught the Law of War for Commanders curriculum at West Point, told me that he had similar arguments with his students. He said that, under both U.S. and international law, “Jack Bauer is a criminal. In real life, he would be prosecuted.” Yet the motto of many of his students was identical to Jack Bauer’s: “Whatever it takes.” His students were particularly impressed by a scene in which Bauer barges into a room where a stubborn suspect is being held, shoots him in one leg, and threatens to shoot the other if he doesn’t talk. In less than ten seconds, the suspect reveals that his associates plan to assassinate the Secretary of Defense. Solis told me, “I tried to impress on them that this technique would open the wrong doors, but it was like trying to stomp out an anthill.”
Now before I get hammered with email from conservatives claiming that I'm somehow un-American, let me remind all of you: it is conservatives who for decades have been telling us that what we watch on TV matters. If conservatives believe that the culture around us changes us, how can they possibly produce this show?
Years from now people will look back and wonder how so many could be so naive. On the one hand, a conservative ideology that decries the debasement of popular culture. On the other, a TV network that produces some of the shows conservatives hate most. On the one hand, Fox News. On the other, Fox TV. It's enough to make a man very, very rich.
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